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“All right,” Billy acquiesced with a nonchalant tact; “I thought Sour’n Shifty’d make good surveyors, Pretty; but I guess you can do that an’ your own job too, can’t you?” Billy turned to Harold, while George watched to see what Jimmy did.,

“You’re a plucky kid, all right,” he replied, touched more than he would have admitted. “I won’t hurt the dog if you do as I tell you.” He looked for a cord or rope, but found none, and pulled from his pocket a red handkerchief. “Tie this around his neck; let one end hang down.”,

Billy read the note several times. He knew that Jimmy meant much more than the words said; it was his offer of the “olive branch.” And Billy, thinking over that miserable afternoon, wondered again how it had been possible for him to feel such murderous hate for anything living. And for Jimmy! His mate at school, in play! The picture came to him of Jackson crying, of Vilette,—yes, it was not strange he had been angry. But it was not his duty to punish; even if it had been, he knew he had forgotten Jackson and Vilette, forgotten everything except the rage of the fight. Why was it? Older heads than Billy’s have asked in sorrow that same question after the madness of some angry deed has passed to leave in its wake sleepless remorse.,

“Oh no Betty,” Moses tones were of an elder-brotherly authority, “yer li’l han’s aint meant fer sich servitood. I’d not stan’ by an’ see you do that.” With all his teasing at times, Moses adored his little foster-sister. He idealized her, and as Mrs. Wopp had often remarked, whenever Betty left his presence he saw her ascend into heaven in a “Whirlwin’ of fire, an’ go-cart of flame.”

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Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.,

“Moses, I hear yer Par comin’ with the hay,” announced Mrs. Wopp, suddenly. “You’ll hev to go help him with it.”,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,

Mrs. Wopp, as was usual at the morning meal, appeared with her greyish-red hair tortured with curl papers. After depositing the appetizing breakfast dish on the table she thrust her head out of a window and called lustily, “Come on Moses the perkelater’s perkin’ an’ the bacon’s sizzlin’ on the plate.”